• Confederation Park (1999) Bill Brown

The viewer is aware of space and time due to the passing cars on the streets. The voice is not quite written, but spoken. The angles at which this piece was shot creates depth giving it texture that an essay cannot have. This film also plays with how we trust and judge a voice. There is little focus, rather focus on the self placing bits of knowledge together. Bill Brown successfully brings in the viewer visually and writerly.