Sunday, December 10, 2006

  • Hostage (he bachar tapes) Wallid Rand

This film is in a documentary style creating a fake world based on facts. The director is in control of what is cut and edited in or out of this film. As audience views this they are compelled towards how real it is due to the extent of weirdness that it leaves them with nothign else but the feeling that it's got to be real. Here you can see the representation of an image using something mainstream for something that is not. In addition, this film evokes archival history and how we piece fragments together.

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