• T-O-U-C-H-I-N-G (1966) Paul Sharits

It deploys idiosyncrosy and distant imagery. Audience feels the mechanism and intentionality. There is a disjunction of words through quick repetition of one. It has a viceral feel with juxtapositions. This film puts your mind where you can be thrown by it even though you've seen a lot in the real world. Lastly, it evokes a relationship to linear way and experimentation.